Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. This paper presents an analytical view of Liszt’s Variations on J. S. Bach’s Weinen, Klagen, Sorgen, Zagen motive, and in particular examines. Here you will find a variety of high quality sheet music for Organ for beginners and advanced players! Order fast & secure, even without regist.
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Both works bear a dedication to Anton Rubinstein, and both are based on the same wonderful theme.
Bach repeats the beginning text four times, while the singular destination appears only once. The Prelude of is a dignified and restrained piece with just one dramatic outburst, all within the framework of a passacaglia which unfolds 25 variations on the motif.
He composed Weinen, Klagen, Sorgen, Zagen as the second cantata in the series, on a text probably written by court poet Salomon Franck. Retrieved 16 August Von Gott poetisch-musikalisch reden: Throughout the middle section, the instruments play colla parte with the voices. The cantata is opened by a Sinfonia ljszt, marked adagio assaiwhich resembles the slow movement of an oboe concerto, with an expressive and plaintive solo.
The setting is intensified, until in the seventh repeat all voices continue the text simultaneously: February Total duration: Franz Weineb based extended keyboard compositions on the same material. Masaaki Suzuki Bach Collegium Japan. BWVfor Pentecost.
Weinen, Klagen, Sorgen, Zagen, S.179 (Liszt, Franz)
Bach reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor, the central movement of that work, three decades later. Retrieved 26 September Other recordings available for download.
He reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor. Retrieved 16 April Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Don’t show me this message again.
Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia
Was Gott tut, das ist wohlgetan. It follows details of the Gospel and the idea from the epistle reading: He composed it in Weimar for Jubilatethe third Sunday after Easterand led the first performance on 22 April in the Schlosskirchethe court chapel of the Schloss in Weimar.
Beginning with the highest voice, each part sings an extended sigh. From Wikipedia, the free encyclopedia. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. The first of three arias, ” Kreuz und Krone sind verbunden ” Cross and crown are bound together reflects the conflicting motifs of “Kreuz und Krone” cross and crown and “Kampf und Kleinod” conflict and jewel.
In German, sorrow is mentioned first, then the final Kingdom of God. The closing chorale, ” Was Gott tut, das ist wohlgetan ” What God does, is well done  is set for four parts, illuminated by an instrumental obbligato part. Movement 4 sees the suffering of Jesus as a consolation for the afflicted Christian, movement 5 voices a decision to follow Jesus even in suffering, movement 6 offers the consolation that it will be only a short time until all sadness is overcome, alluding to as in movement 4 Revelation 2: Retrieved from ” https: The lamentoa chromatic fourth ostinato, is repeated twelve times.
The voice enters with the same motif. Kreuz und Kronen sind verbunden.
The ninth repeat is similar to the first, but in more extreme harmonies. During the last aria, ” Sei getreu, alle Pein ” Be faithful, all pain the trumpet plays the chorale tune ” Jesu, meine Freude ” as a cantus firmus ;  Bach may have thought of the stanza “Weicht, ihr Trauergeister” Go away, mournful spirits.
Retrieved 12 August The music illustrates the union of the four contrasting elements all beginning with K: Philippe Herreweghe Collegium Vocale Gent. The work is structured in seven movementsan instrumental Sinfoniaa choral passacagliaa recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza from Samuel Rodigast ‘s hymn ” Was Gott tut, das ist wohlgetan ” Church cantatas by Johann Sebastian Bach compositions.
Church cantatas by Johann Sebastian Bach.
Bach was appointed Konzertmeister in Weimar in the spring ofa position that called for the performance of a church cantata each month. In the following table of the movements, the scoring follows klaggen Neue Bach-Ausgabe. The Schlosskirche in Weimar. The prescribed readings for that Sunday were from the First Epistle of Peter”Submit yourselves to every ordinance of man” 1 Peter 2: The cantata is scored for three vocal soloists, a four-part choir, trumpetoboebassoontwo violinstwo violasand basso continuo.
In the second aria, ” Ich folge Christo nach ” I follow after Christ the decision to follow Jesus is made.
The table entries are excerpted from the list of recordings from the selection on the Bach-Cantatas website. His predecessor, Johan Kuhnau, had already noted that “visitors and distinguished gentlemen certainly want to hear something fine in the principal churches.
Sigiswald Kuijken La Petite Bande.